VOlUME 05 ISSUE 09 SEPTEMBER 2022
Saswati Bordoloi
Gauhati University, Assam, India & University of Tartu (International visiting PhD student)
DOI : https://doi.org/10.47191/ijsshr/v5-i9-35Google Scholar Download Pdf
ABSTRACT
The Traditional Songs of the Assamese: Voice and Connection The folk songs of Assam are mainly associated with rites and rituals; these folk songs reflect the livelihood of the Assamese community. The songs are related to Shitala Puja, Koli burhi nritya, Gopini naam, biya naam and Bihu geet, which have a unique position in traditional singing among the Assamese community. Sitala is a folk goddess and it is believed that she has is an intimidating presence who distributes infected pulses in village markets, or sends hordes of disease-demons, thus causing outbreaks of smallpox and other contagious illnesses. Only when properly worshipped she agrees to heal her victims (Ferrari 2015:2). The women sing Aai Naam to please the Goddess Shitala as she is described as the deification of smallpox. Koli burhi nritya is associated with Magh Bihu, which is a post-harvest festival, held in January. Koli burhi is an Assamese term, which means a black woman. Women put the burning banana leaves on their bodies and sing the song which is known as Koli burhi nrityar geet(the songs of black women). It is believed that burning banana leaves removes all the obstacles from their life. Durga Puja is a famous festival held in India and during this puja (The English term of puja is ritual) the Assamese women sing Gopini Naam to please the Goddess Bhagavati or Kamakhya (a form of Goddess Durga). Songs related to marriage are also very significant among the Assamese community, and these marriage songs are known as Biya naam. The song related to Bihu, which is the main harvest festival of Assam, held in mid-April, is known as Bihu geet. Merriment, love and sad these feelings are described through these Bihu geet. In this paper, an attempt has been made to highlight the traditional singing that is related to rituals among the communities of Assam, India.
REFERENCES
1) Barry, Phillips. 1905. "Some Traditional Songs." The Journal of American Folklore. Vol. 18, No. 68 (Jan-Mar., 1905): 49-
59 http://www.jstor.org/stable/534261
2) Bordoloi, Saswati.2016. Kaliaboror Lokasanskritit Alokpat (The folklore of Kaliabor), Purbayan Prakashan, Guwahati
3) Das, Nabamita, M.S. 2016. “The folk Songs Sung in Assam with Special Reference to the Folksongs Exclusively Sung by
Assamese Women.” International Journal of Current Research. Vol. 8, Issue, 11, November, 2016 : 41932-41942
http://www.journalcra.com
4) Das, Nabamita. 2016. "Voices of Assamese Women in Marriage Songs." Indian J Soc & Pol 03 (03):41-50
5) Deka, Kabita. 2020. "The Role and Performance of Women in the Assamese Society, Rituals and Festivals - An Analysis
through the Assamese Oral Songs." Solid State Technology. Vol. 63, No. 6 https://solidstatetechnology.us
6) Ferrari, Fabrizio M. 2015. “Religion, Devotion and Medicine in North India”, Great Britain Munch, Peter A. 1961.
"Traditional Songs of Tristan da Cunha." The Journal of American Folklore. Vol. 74, No. 293 (Jul-Sep 1961): 216-229
https://www.jstor.org/stable/537634
7) Sarma, Satyendra Nath. 2001. Asomiya Samikkhatmak Itibritta. Arunudoi Press, Guwahati