Volume 07 Issue 10 October 2024
1I Wayan Juniartha, 2I NyomanDarma Putra, 3Maria Maltidis Banda, 4I Nyoman Suarka
1Department of Linguistics, Faculty of Cultural Studies, Udayana University, Denpasar, Bali Indonesia
2Department of Cultural Studies, Faculty of Cultural Studies, Udayana University, Denpasar Bali, Indonesia
3Department of Indonesian Literature, Faculty of Cultural Studies, Udayana University, Denpasar, Bali, Indonesia
4Department of Balinese Literature, Faculty of Cultural Studies, Udayanan University, Denpasar, Bali, Indonesia
DOI : https://doi.org/10.47191/ijsshr/v7-i10-84Google Scholar Download Pdf
ABSTRACT
This research aims to find out the form and meaning of Javanese women’s resistance of NyiMisni, a Javanese woman character in the film entitled “Perempuan Tanah Jahanam” (2019), and how her masculinity is reflected through the interaction between her and other characters in the film. The analysis is conducted in the context of patriarchal domination over Javanese women specifically, and Indonesian women in general. The main data is obtained from the dialog uttered by the main female character, NyiMisni, in Joko Anwar’s “Perempuan Tanah Jahanam” (2019) film. It is supported by secondary data from other articles that mentioned masculinity traits shown by Javanese female characters in other films. The method of collecting data used in this research is the observation method using an observation technique. The techniques conducted are watching the movie, note-taking all dialogues that contain masculinity features, and classifying the data based on the masculinity features shown by NyiMisni. The analysis is conducted using Bem’s Sex Role Inventory (1982) and the theory of symbolic interactionism by Smelser (2013. Furthermore, the speech act theory by Searle (1976) is used as the supporting theory. The findings discovered some forms and meanings of Javanese women’s resistance as the masculinity features shown by NyiMisni and how she interacts with other participants through her utterances. Female masculinity is featured in assertiveness, dominance, and aggression. Her utterance is directly conducted, yet the intention is indirect.
KEYWORDS:female masculinity, film, form, Javanese women, meaning, utterance
REFERENCES1) Ding, Adawiyah, R., &Hasanah, M. (2020). Melawan stigma inferioritasperempuan: Kajian novel midah (SI manisbergigiemas) karyapramoedya Ananta toer Dan novel Di balikkerlingsaatirahkaryaninik M. Kuntarto. LITERA, 19(3), 414-436. http://dx.doi.org/10.21831/ltr.v19i3.35662
2) Adnani, K., Udasmoro, W., &Noviani, R. (2016). Resistensiperempuanterhadaptradisi-tradisi di pesantrenanalisiswacanakritisterhadap novel perempuanberkalungsorban. JurnalKawistara, 6(2), 144-156. https://journal.ugm.ac.id/kawistara/article/viewFile/15520/10373
3) Amie, A. Y., &Nuryatin, A. (2014). InteraksiSimbolikTokoh Dewa Dalam Novel BiolaTakBeradawaiKarya Seno GumiraAjidarma: KajianInteraksionismeSimbolik George Herbert Mead. Jurnal Sastra Indonesia, 3(1). https://journal.unnes.ac.id/sju/jsi/article/view/7350
4) Bark Persson, A. (2020). Home and hell: Representations of female masculinity in action-driven science fiction literature. Lambda Nordica, 25(2), 68-90. https://doi.org/10.34041/ln.v25.675
5) Bem, S. L. (1981). Bem sex role inventory. Journal of personality and social psychology. https://link.springer.com/article/10.1023/a:1018836923919
6) Creswell, John W. (2009). Research Design: Qualitative, Quantitative and Mixed Method Approaches. SAGE Publications Inc.
7) Dillawati, F., Widagdo, M. B., &Yusriana, A. (2022). RepresentasiMaskulinitasPadaKarakterPerempuanDalam Film “Kartini” KaryaHanungBramantyo. Interaksi Online, 11(1), 180-203.https://ejournal3.undip.ac.id/index.php/interaksi-online/article/view/37141
8) Febrianto, D., &Setyani, T. I. (2023). RESISTANCE TO FEMALE STEREOTYPES IN THE ANIMATED FILM MULAN (1998). Lingua Scientia, 30(1), 132-142.
9) Fatonah, T. (2021). SinopsisPerempuan Tanah Jahanam: TerungkapRahasiaKelamKeluargaJahanam. Acessed on 24th April 2023 from https://www.matamata.com/life/2021/06/09/182759/sinopsis-perempuan-tanah-jahanam-terungkap-rahasia-kelam-keluarga-jahanam
10) Firyanti, O. C., Pradana, M. A., Nurni'amah, Y. E., & Kurniawan, S. H. (2023). The Changing Roles of Women in Java: From Housewife Roles to Family Woman. Social Studies in Education, 1(1), 57-66. a. https://jurnalftk.uinsa.ac.id/index.php/sse/article/view/2903
11) Fukuoka, M. (2015). A study of femininity and masculinity: Gender and sexsuality in Indonasian popular culture. Osaka Human Sciences, 1, 95-115. https://doi.org/10.18910/56424
12) Gardiner, J. K. (2012). Female masculinity and phallic women—Unruly concepts. Feminist studies, 38(3), 597-624.
13) https://muse.jhu.edu/pub/434/article/831774/summary
14) Haris, A., & Amalia, A. (2018). Makna Dan SimbolDalam Proses InteraksiSosial (SebuahTinjauanKomunikasi). JurnalDakwahRisalah, 29(1), 16-19.
15) Halberstam, J. (2002). The good, the bad, and the ugly: Men, women, and masculinity. Masculinity studies and feminist theory, 344-367.\ https://www.biknotes.com/_files/ugd/b8b6dc_87cd56932ee24f80bacc8a3b29b6a009.pdf#page=359
16) Haryanto, S. SPEKTRUM TEORI SOSIAL DARI KLASIK HINGGA POSTMODERN. a. http://repository.lppm.unila.ac.id/3978/
17) Juniartha, I. W., Candra, K. D. P., & Maharani, P. D. (2022, April). NURBAYA’S MASCULINITY IN RESOLVING CONFLICTS IN NURBAYA DRAMA MUSICAL. In Proceedings: Linguistics, Literature, Culture and Arts International Seminar (LITERATES) (pp. 144-150).https://e-journal.unmas.ac.id/index.php/literates/article/view/3656
18) Kurnia, E. (2020, June). The roles of Javanese women reflected in Javanese metaphors. In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia.http://dx.doi.org/10.4108/eai.20-9-2019.2296820
19) Kurniasi, S., Merdeka, P., Ulfa, M., &Farlina, N. (2022). Masculinity in The Characters of Sally and Jo in The Film Misbehaviour. TEKNOSASTIK, 20(2), 86-94.https://doi.org/10.33365/ts.v20i2.1737
20) McFarlane, D. A. (2014). A positive theory of stereotyping and stereotypes: is stereotyping useful? Journal of Studies in Social Sciences, 8(1). https://infinitypress.info/index.php/jsss/article/view/554
21) Nadar, F. X. (2007). The prominent characteristics of Javanese culture and their reflections in language use. Humaniora, 19(2), 168-174.
22) Nazri, M. F. H. (2022). ReaksiTokohPerempuanterhadapEkspansi Perkebunan KelapaSawitdalam Novel BumiAyuKaryaRestianaPurwaningrum: KajianEkofeminisme Sastra. JENTERA: JurnalKajian Sastra, 11(2), 232-243 https://doi.org/10.26499/jentera.v11i2.3247
23) Marzuki. (1986). MetodologiRiset [ResearchMethodology.] Yogyakarta: UII Press.
24) Nugroho, B. A., &Suhendi, I. D. (2022). StereotipdanResistensiPerempuandalamCerpenPayudaraNai-NaiKaryaDjenarMaesaAyu. Jurnal Sastra Indonesia, 11(1), 78-84. https://doi.org/10.15294/jsi.v11i1.50138
25) Pidada, I. A. P. D. S., Joni, I. D. A. S., &Pradipta, A. D. RepresentasiFeminismeDalam Film Perempuan Tanah Jahanam.
26) Prawiranauli, N., Aritonang, A. I., &Wahjudianata, M. (2018). StereotipePerempuan Indonesia dalam film horror “PengabdiSetan”. Jurnal e-Komunikasi, 6(2). https://publication.petra.ac.id/index.php/ilmu-komunikasi/article/view/8311/7505
27) Putra, I. (2003). Wanita Bali tempo doeloe: perspektif masa kini. Gianyar , Bali: Yayasan Bali Jani a. https://espace.library.uq.edu.au/view/UQ:163376
28) Rizki, A. A., SM, A. E., &Narti, S. (2024). RepresentasiKebayaJawaPadaPerempuanDalam Serial “GadisKretek”. JurnalMultidisiplinDehasen (MUDE), 3(3), 223-232. https://doi.org/10.37676/mude.v3i3.6471
29) Pujiastuti, Kurnia. "ANALISIS WACANA KRITIS SARA MILLS DALAM FILM BEFORE, NOW & THEN (NANA)." Jurnal Lestari SosialBudaya 2.2 (2024): 52-61. https://jlsb-fisib.unpak.ac.id/index.php/JLSB/article/view/13
30) Saputra, D. D., &Sulistyani, H. D. (2019). Representasi Motherhood padaKarakterHantuPerempuandalam Film PengabdiSetan. Interaksi Online, 7(4), 39-53. https://ejournal3.undip.ac.id/index.php/interaksi-online/article/view/24446
31) Searle, J. R. (1975). Indirect speech acts. In Speech acts (pp. 59-82). Brill.https://doi.org/10.1163/9789004368811_004. https://brill.com/display/book/edcoll/9789004368811/BP000004.xml
32) Searle, J.R (1976). A Classification of Illocutionary Acts. Cambridge: Cambridge University Press. https://doi.org/10.1017/S0047404500006837
33) Turaeni, N. N. T. (2010). ResistensiPerempuanMultikulturaldalam Novel SerojaKaryaSunaryonoBasuki: KajianFeminis. Atavisme, 13(2), 257-264. https://core.ac.uk/download/pdf/207904377.pdf
34) Wickman, J. (2003). Masculinity and female bodies. NORA - Nordic Journal of Feminist and Gender Research, 11(1), 40–54. https://doi.org/10.1080/08038740307272
35) Widyastuti, S. H. (2014). KepribadianWanitaJawadalamSeratSulukResidriyadanSeratWulangPutriKaryaPakuBuwono IX. Litera, 13(1). https://doi.org/10.21831/ltr.v13i1.1907
36) Winnberg, J., Fåhraeus, A., & Jonsson, A. (2008). Introduction: Female masculinity or textual masculinity. Nordic Journal of English Studies, 7(1), 1-9.
37) Wulandari, S. (2019). Female masculinity of Alanna Trebond in Tamora Pierce’s Alanna: the first adventure (song of the Lioness). LITERA KULTURA, 7(4).
38) https://doi.org/10.26740/lk.v7i1.28658