Volume 07 Issue 04 April 2024
1Moulay Rachid Qasbi, 2Kamal Benzaida, 3Fatima Zahraa Boutabssil
1Ibn Tofail University, Kenitra
2King Fahd School of Translation, Tangier
3Sultan Moulay Slimane University, Benimellal
DOI : https://doi.org/10.47191/ijsshr/v7-i04-42Google Scholar Download Pdf
ABSTRACT
This study conducts a thorough examination of the portrayal of sainthood in Moroccan cinema, probing whether it accentuates the secular or divine aspects of this spiritual tradition. By closely analyzing Alaa Eddine Eljem's film "The Unknown Saint," we delve into how its storyline navigates the intricate interplay between social and religious dynamics within Moroccan society. Set against the captivating backdrop of Agafay desert near Marrakech, the film unveils the tale of a thief who inadvertently buries stolen money in a remote hill, later designated by villagers as a tomb that evolves into a revered shrine for a saint. This narrative unravels themes of spirituality, tradition, and societal complexities. With a skilled ensemble cast led by Anas Elbaz and Saleh ben Saleh, the film emerges as a groundbreaking exploration of sainthood within Moroccan cinematic landscape. Beyond its central plot, it addresses pertinent issues such as healthcare, drought, and superstition, offering audiences a profound contemplation of Moroccan identity and culture. Through our analysis, we aim to deepen insights into how Moroccan cinema grapples with the intricate nuances of Sufism and its enduring relevance in contemporary Moroccan society.
KEYWORDS:Moroccan Cinema, Profane and Sacred, Sufism, Sainthood, Popular beliefs, Saint Veneration
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