December 2024

Volume 07 Issue 12 December 2024
The Female Experience in the Mayor of Casterbridge: A Feminist Critical Analysis
Suadah Jasim Salih Alqaisi
Ministry of Education, Minister's Office, Department of Total Quality Management and Institutional Development, Baghdad, Iraq
DOI : https://doi.org/10.47191/ijsshr/v7-i12-73

Google Scholar Download Pdf
ABSTRACT:

This study aims to examine Thomas Hardy's The Mayor of Casterbridge from a feminist viewpoint. It examines how women are portrayed in the novel, focusing on their independence and how society's expectations and gender roles affect their lives. The study closely analyzes the text, using feminist literary criticism to understand the characters, their relationships, and the overall social context of the novel. The analysis explores feminist themes such as women's independence, the impact of societal expectations, and the consequences of a patriarchal society. It compares how male and female characters are presented in the novel and examines the role of marriage as a social institution. The study critiques the oppressive power structures of Victorian society and shows how the novel challenges traditional gender roles. The findings reveal that women in the novel face significant limitations imposed by a male-dominated society. Characters like Susan Henchard demonstrate the harmful effects of rigid gender roles and limited opportunities for women. Lucetta Templeman's story highlights the challenges women encounter when seeking freedom and independence in a conservative world. However, the study also identifies instances where female characters show strength and resilience despite societal pressures. Overall, this study argues that The Mayor of Casterbridge offers valuable insights into the struggles and potential of women in a patriarchal society. By examining the female characters, their experiences, and the broader social context, the study contributes to a deeper understanding of Hardy's work and its importance in feminist literature

KEYWORDS:

Critical Analysis, Feminist Perspective, the Mayor of Casterbridge, Thomas Hardy

REFERENCES
1) Abbar, I. M. , O. M. , and W. J. J. (2019). Malaysian Journal of Social Sciences and Humanities (MJSSH). Malaysian Journal of Social Sciences and Humanities (MJSSH), 4(4), 76–80.

2) Brown, A. (2015). Feminist Perspectives in Hardy’s Fiction. Routledge.

3) Davis, M. (2019). Rereading the Victorians: Gender, Textuality, and History. Manchester University Press.

4) Hardy, T. (2003). The Mayor of Casterbridge. Oxford University Press.

5) Johnson, L. (2016). Hardy and Women: Values, Struggle, and Persuasion. Palgrave Macmillan.

6) Jones, E. (2018). Reading Hardy’s Landscapes. Cambridge University Press.

7) Robinson, L. (2017). Thomas Hardy and Desire: Conceptions of the Self. Macmillan International Higher Education.

8) Smith, A. (2005). Gender and Power in Thomas Hardy’s The Mayor of Casterbridge. Victorian Literature and Culture, 33(1), 241–259.

9) Smith, C. (2010). Hardy and the Sister Arts. Ashgate Publishing.

10) Thompson, L. (2010). “A Veritable Civil War”: Victorian Gender Politics and The Mayor of Casterbridge. Victorian Literature and Culture, 38(1), 241–261.

11) Waham, J. J. (2019). White Male Masculinity in Coetzee’s Waiting for Barbarians. Asia Proceedings of Social Sciences, 4(1), 25–27.

12) Waham, J. J., Khalil, H. I., & Hulaib, M. N. (2022). Women and her Domed Fate an analysis of Thomas Hardys Novel “The Return of the Native.” Journal of Positive Psychology and Wellbeing, 6(1), 517–523.

13) Williams, M. (2013). Thomas Hardy and Rural England. Ashgate Publishing
Volume 07 Issue 12 December 2024

Indexed In

Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar