¹Iman Sumarlan, ²Rahmadya Putra Nugraha

¹Universitas Ahmad Dahlan, Yogyakarta, Indonesia
²Universitas Mercu Buana, Jakarta, Indonesia

DOI : https://doi.org/10.47191/ijsshr/v8-i1-43

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ABSTRACT

Music consumption in the digital era has turned into “ownership” through digital music collections presented by various streaming music services. Streaming music services, such as Spotify, are services that primarily focus on the experience of listening to music by presenting a large collection of music from various musicians and genres to its users. Consumption by individuals can be interpreted as a behavior that defines identity and self-expression. Young people's music consumption provides them with a medium to construct, negotiate and modify their identities; presenting them with a set of strategies to know themselves and to relate to others. The purpose of this study is to explore and describe adolescents' experiences of using new media that give meaning to their identities and music-related communication in virtual spaces. The method used is qualitative research with a phenomenological approach. The object of this research is teenagers who consume the Spotify application continuously.

KEYWORDS:

Identity Construction; Teen; Music; Virtual

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32) Aguiar, L., & Waldfogel, J. (2018). Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists. National Bureau of Economic Research Working Paper Series.

33) Ahuvia, A. C. (2005). Beyond the extended self: Loved objects and consumers’ identity narratives. Journal of Consumer Research, 32(1). a. https://doi.org/10.1086/429607

34) Aspers, P. (2009). Empirical Phenomenology: A Qualitative Research Approach (The Cologne Seminars). Indo-Pacific Journal of Phenomenology. https://doi.org/10.1080/20797222.2009.11433992

35) Barrett, F. S., Grimm, K. J., Robins, R. W., Wildschut, T., Sedikides, C., & Janata, P. (2010). Music-Evoked Nostalgia: Affect, Memory, and Personality. Emotion, 10(3). https://doi.org/10.1037/a0019006

36) Belk, R. W. (2013). Extended self in a digital world. Journal of Consumer Research, 40(3). a. https://doi.org/10.1086/671052

37) Bennett, A. (2012). Dance Parties, Lifestyle and Strategies for Ageing. In A. Bennett & P. Hodkinson (Eds.), Ageing and Youth Cultures (1st ed., p. 208). London: Routledge.

38) Bennett, A., & Robards, B. (2014). Mediated youth cultures: The internet, belonging and new cultural configurations. Mediated Youth Cultures: The Internet, Belonging and New Cultural Configurations. a. https://doi.org/10.1057/9781137287021

39) Burke, P. J. (2022). Identity Theory (2nd ed.). Oxford: Oxford University Press.

40) Clark, A. B., & Lonsdale, A. J. (2023). Music preference, social identity, and collective self-esteem. Psychology of Music, 51(4). https://doi.org/10.1177/03057356221126202

41) Frith, S. (2017). Taking popular music seriously: Selected essays. Taking Popular Music Seriously: Selected Essays. https://doi.org/10.4324/9781315087467

42) Hargreaves, D. j., Miell, D., & Macdonald, R. A. R. (2023). What Are Musical Identities, And Why Are They Important? In Musical Identities. a. https://doi.org/10.1093/oso/9780198509325.003.0001

43) Hastasari, C., Tommy, D., & Sari, D. K. (2014). New Media: Teori dan Aplikasi (Revisi). Salatiga: Satya Wacana University Press.

44) Iqbal, M. (2019). Spotify Usage and Revenue Statistics (2019) - Business of Apps. BussinessOfApps.

45) Kinnally, W., & Bolduc, H. (2020). Integrating the theory of planned behavior and uses and gratifications to understand music streaming intentions and behavior. Atlantic Journal of Communication, 28(3). a. https://doi.org/10.1080/15456870.2020.1718676

46) Larsen, G., Lawson, R., & Todd, S. (2010). The symbolic consumption of music. Journal of Marketing Management, 26(7–8). https://doi.org/10.1080/0267257X.2010.481865

47) Logan, R. K. (2010). Understanding new media: extending Marshall McLuhan. Peter Lang.

48) Mans, M. (2005). Aesthetics and values as core determinants of musical identity formation. Journal of Musical Arts in Africa, 2(1). https://doi.org/10.2989/18121000509486699

49) McCourt, T. (2005). Collecting music in the digital realm. Popular Music and Society. https://doi.org/10.1080/03007760500045394

50) Merskin, D. L. (2020). Recording Industry Association of America. In The SAGE International Encyclopedia of Mass Media and Society. https://doi.org/10.4135/9781483375519.n562

51) Morris, J. W., & Powers, D. (2015). Control, curation and musical experience in streaming music services. Creative Industries Journal, 8(2). https://doi.org/10.1080/17510694.2015.1090222

52) Ozimek, P., Brailovskaia, J., & Bierhoff, H. W. (2023). Active and passive behavior in social media: Validating the Social Media Activity Questionnaire (SMAQ). Telematics and Informatics Reports, 10. a. https://doi.org/10.1016/j.teler.2023.100048

53) Roettgers, J. (2015). Vevo, Pandora and Spotify Top Streaming Music Services for Millennials. Variety.Com.

54) Schau, H. J., & Gilly, M. C. (2003). We Are What We Post? Self-Presentation in Personal Web Space. Journal of Consumer Research, 30(3). https://doi.org/10.1086/378616

55) Schwartz, K. D., & Fouts, G. T. (2003). Music Preferences, Personality Style, and Developmental Issues of Adolescents. Journal of Youth and Adolescence, 32(3). https://doi.org/10.1023/A:1022547520656

56) Sinclair, G., & Tinson, J. (2017). Psychological ownership and music streaming consumption. Journal of Business Research, 71. https://doi.org/10.1016/j.jbusres.2016.10.002

57) Sterne, J. (2006). The mp3 as cultural artifact. New Media and Society. https://doi.org/10.1177/1461444806067737

58) Sugiyono, P. D. metode penelitian kuantitatif, kualitatif,dan R&D, Alfabeta, cv. (2016).

59) Sutopo, H. B. (2006). Metode Penelitian Kualitatif: Teori dan Aplikasinya dalam Penelitian.

60) Trocchia, P. J., Apps, M. M., & McNish, S. E. (2011). A Typology Of Music Consumption Motivations. International Business & Economics Research Journal (IBER), 1(9). https://doi.org/10.19030/iber.v1i9.3972

61) Voigt, K. I., Buliga, O., & Michl, K. (2017). Passion for Music: The Case of Spotify. In Management for Professionals (Vol. Part F595). https://doi.org/10.1007/978-3-319-38845-8_12

62) Wong, P., Hogg, M. K., & Vanharanta, M. (2012). Consumption narratives of extended possessions and the extended self. Journal of Marketing Management, 28(7–8). https://doi.org/10.1080/0267257X.2012.698632

Volume 08 Issue 01 January 2025